To box set Salival κυκλοφόρησε το 2000 σε δύο μορφές: CD και VHS κασέτα και CD και DVD. Συνοδεύεται από 56σέλιδο βιβλιαράκι με φωτογραφίες των Tool και σκηνές από τα video clips. Το χειρότερο σημείο όλων, είναι ότι δεν το έχω και το θέλω! Παρακαλώ όποιον τυχαίνει να έχει ή να ξέρει κάποιον που έχει ένα αντίτυπο, να με ενημερώσει πάραυτα! Και τώρα στο ζουμί.

Το CD περιέχει 9 τραγούδια. Τα 5 είναι από ζωντανές ηχογραφήσεις, ενώ τα 4 είναι κομμάτια που ηχογράφησαν, αλλά δεν κυκλοφόρησαν μέχρι τότε. Όλα τα κομμάτια δίνουν την αίσθηση μιας επικότητας, ιδιαίτερα τα live. Με αλλαγμένους στίχους και ‘πειραματική’ διάθεση, σα να ήθελαν οι Tool να εμπεδοθεί στο μυαλό του κοινού ότι ήταν (και είναι) η κορυφαία μπάντα στον κόσμο, ότι θα έπρεπε ο καθένας να τους πάρει στα σοβαρά και ότι στις ζωντανές τους εμφανίσεις, ο κάθε παρευρισκόμενος ζει σε έναν εντελώς Toolικό κόσμο, από τον οποίο ούτε θέλει, αλλά ούτε και μπορεί να το σκάσει.

Τα τραγούδια με τη σειρά εμφάνισης τους στο CD:

Third Eye (Live): Χωρίς το απόσπασμα του Hicks, αλλά με εισαγωγή από Timothy Leary, την οποία μπορείτε να διαβάσετε παρακάτω στους στίχους. Εξωπραγματική μουσική, μοναδική ερμηνεία από το Maynard. Τι άλλο να πει κανείς;

Part Of Me (Live): Ακόμα πιο θυμωμένο, και πιο γρήγορο. O Maynard φτύνει τις λέξεις με νόημα, κι όποιος το πιάσει..

Pushit (Live): Με διάρκεια 1,5 φορές μεγαλύτερη από την έκδοση του Ænima. Η εισαγωγή του Maynard τα λέει όλα. “Βλέπουμε ένα τραγούδι μας, από διαφορετική γωνία”. Κι έτσι, το πιο εσωστρεφές τραγούδι των Tool, γίνεται ακόμα πιο συναισθηματικό και δυσνόητο. Γλυκό και πονεμένο. Αινιγματικό και λυτρωτικό. Απόλαυση.

Message To Harry Manback II: Σε περίπτωση που δεν τον ικανοποίησαν οι βρισιές και οι απειλές του πρώτου, έχουμε κι ένα δεύτερο μήνυμα για τον κύριο με μερικές βρισιές ακόμα.

Merkaba (Live): Το instrumental αυτό, ήταν η εισαγωγή για το Sober, στις ζωντανές εκτελέσεις του. Ο τίτλος είναι αναφορά σε μια new-age πρακτική διαλογισμού.

You Lied (Live): Τραγούδι των Peach, της μπάντας στην οποία έπαιζε ο Justin πριν έρθει στους Tool. Εντελώς Toolοποιημένο και παρατεταμένο. Βαρύ και στοιχειωμένο, χάρη στα φωνητικά του Maynard.

No Quarter (Live): Το 7λεπτο τραγούδι των Led Zeppelin παίρνει εδώ επικές διαστάσεις με διάρκεια 11+ λεπτών. Ξεκάθαρα βαρύτερο από την αρχική του εκτέλεση και με στίχους διαφοροποιημένους, παίρνει κι αυτό μια Tool αισθητική. Αρχικά προοριζόταν για το soundtrack του Private Parts, μιας αυτοβιογραφικής ταινίας για το διάσημο ραδιοφωνικό παραγωγό Howard Stern, αλλά οι Tool μετάνιωσαν και δεν το πρόσφεραν για τη συγκεκριμένη χρήση.

L.A.M.C.: Σημαίνει Los Angeles Municipal Court. Είναι ένα ηχογραφημένο μήνυμα που ακούει κανείς τηλεφωνώντας στο συγκεκριμένο δικαστήριο, συνοδευόμενο από διάφορους ‘ήχους’. Ο Maynard λέει πως είναι αφιερωμένο γενικά στη ζωή στο Los Angeles και παρουσιάζει τη γραφειοκρατία και τις δυσκολίες που αντιμετωπίζει κάποιος που θα χρειαστεί πληροφορίες από το δικαστήριο, έστω και για κάτι τόσο ηλίθιο όσο μια κλήση για παράνομο παρκάρισμα. Προφανώς κάπως έτσι έμπλεξε ο Danny, δεν πλήρωσε μια κλήση λόγω αυτών των βλακειών και κατέληξε για λίγο στη φυλακή.

Maynard’s Dick: Hidden Track με, προφανώς, απλούς στίχους και νόημα. Χρονολογημένο από την εποχή του Opiate, είναι θυμωμένο, φωνακλάδικο και περιέχει βρισιές. Μερικοί βλέπουν και σ’αυτό στοιχεία της κακοποίησης του Maynard ως παιδί από τον πατέρα του, όπως αναφέρεται, πιο φανερά, στο Prison Sex.

Τα πρώτα αντίτυπα του Salival με το DVD, καθώς και η έκδοση με την κασέτα που είχε κόκκινη ταινία, είχαν μερικά τυπογραφικά λάθη, πιθανότατα ηθελημένα. Οι μεταγενέστερες εκδόσεις δεν παρουσιάζουν αυτά τα λάθη, τα οποία είναι:

-Αloke Dutta ως Aloke Dutto

-Paul D’Amour ως Paul D’Mour

-Stinkfist ως Stink Fist

-Message To Harry Manback II ως Messege To Harry Manback II

-Η λίστα των videos στην κασέτα έχει ανάστροφη χρονολογική σειρά.

-Η ταξινόμηση των Merkaba και You Lied είναι λανθασμένη.

Η κασέτα περιείχε τα videos των: Ænema, Stinkfist, Prison Sex και Sober, ενώ το DVD είχε τα ίδια, συμπεριλαμβανομένου και του Hush.

Μουσικοί εκτός των Tool που λαμβάνουν μέρος στα κομμάτια του Salival:

King Buzzo, δεύτερη κιθάρα στο You Lied

David Bottrill, πλήκτρα στο Message To Harry Manback II

Vince DeFranco, synthesizer στο Third Eye

Aloke Dutta, ακουστική tabla στο Pushit

Tracklist:

1. Third Eye (Live)
2. Part Of Me (Live)
3. Pushit (Live)
4. Message To Harry Manback II
5. Merkaba (Live)
6. You Lied (Live)
7. No Quarter
8. L.A.M.C.
9. Maynard’s Dick

Artwork

Lyrics:

Third Eye

(Timothy Leary sample)

Think for yourself
Question authority

Throughout human history, as our species has faced the frightening, terrorizing fact that we do not know who we are, or where we are going in this ocean of chaos, it has been the authorities, the political, the religious, the educational authorities who attempted to comfort us by giving us order, rules, regulations, informing, forming in our minds their view of reality. To think for yourself you must question authority and learn how to put yourself in a state of vulnerable, open-mindedness; chaotic, confused, vulnerability to inform yourself.

Think for yourself.
Question authority.

—

Dreaming of that face again.
It’s bright and blue and shimmering.
Grinning wide
And comforting me with it’s three warm and wild eyes.

On my back and tumbling
Down that hole and back again
Rising up
And wiping the webs and the dew from my withered eye.

In… Out… In… Out… In… Out…

A child’s rhyme stuck in my head.
It said that life is but a dream.
I’ve spent so many years in question
to find I’ve known this all along.

"So good to see you.
I’ve missed you so much.
So glad it’s over.
I’ve missed you so much
Came out to watch you play.
Why are you running?"

Shroud-ing all the ground around me
Is this holy crow above me.
Black as holes within a memory
And blue as our new second sun.
I stick my hand into his shadow
To pull the pieces from the sand.
Which I attempt to reassemble
To see just who I might have been.
I do not recognize the vessel,
But the eyes seem so familiar.
Like phosphorescent desert buttons
Singing one familiar song…

"So good to see you.
I’ve missed you so much.
So glad it’s over.
I’ve missed you so much.
Came out to watch you play.
Why are you running away?"

Prying open my third eye.
So good to see you once again.
I thought that you were hiding.
And you thought that I had run away.
Chasing the tail of dogma.
I opened my eye and there we were.

So good to see you once again
I thought that you were hiding from me.
And you thought that I had run away.
Chasing a trail of smoke and reason.

Prying open my third eye

Part Of Me

I know you well.
you are a part of me.
I know you better than I know myself.
I know you best,
better than anyone.
I know you better than I know myself.

You don’t judge.
You can’t speak.
You can’t leave.
You can’t hurt me.
You’re just here for me to use.

I know you best,
better than one might think.
I know you better than I know myself.
It’s time for you
to make a sacrifice.
It’s time to die a little.
Give it up.

You are a part of me.

Pushit

We’ve been trying something
a little different this tour.
We’ve been looking at
one of our songs
from a different angle,
under a different light,
so we can hopefully kind of
see it almost for the first time.
We’d like try that for you tonight, is that okay?

We’re gonna need your help though.
We’re gonna need your help
and your permission,
so we need you to find
a comfortable space,
that is not only comfortable,
but vulnerable.
I want you to shut your eyes and go there,
and we’ll meet you on the other side..

Saw that gap again today.
While you were begging me to stay.
Take care not to make me enter.
If I do we both may disappear.

Saw that gap again today.
While you were begging me to stay
Managed to push myself away
And you as well, my dear
And you, as well
Pushed you away my dear

I will choke until I swallow
Choke this infant here before me
What are you but my reflection?
Who am I to judge or strike you down?

But you’re pushing me
And Im shoving you
And your pushing me
And Im shoving you

Rest your trigger on my finger,
Bang my head upon the fault line
You better take care not to make me enter
If I do we both may disappear

But you’re pushing me
And Im shoving you
And your pushing me
And Im shoving you

You still love me

We’re pushing and were shoving
And you’re pushing and I’m shoving

You still love me

And were pushing and were shoving
And I’m pushing as your shoving

And Im slipping back into the gap again
I feel alive when you touch me…
I feel alive when you hold me…
…down

Slipping back into you

I am somewhere I dont wanna be, yeah
Put me somewhere I dont wanna be
Push me somewhere I dont wanna be
Seeing someplace I don’t wanna see
Never wanna see that place again…

Saw that gap again today
While you were begging me to stay
Managed to push myself away,
And you as well, my dear

If, when I say I may fade like a sigh if I stay,
You minimize my movement anyway,
I must persuade you another way

Pushing and Shoving and
Pushing and Shoving and
Pushing me

There’s no love in fear.

Staring down the hole again.
Hands are on my back again.
Survival is my only friend.
Terrified of what may come.

Remember I will always love you,
As I claw your fucking throat away.
It will end no other way.

Message To Harry Manback II

Stronzo (1), stronzo di merda (2)
I’m trying to take a nap but
I couldn’t sleep overnight because of you
Ugh, you really hurted me,
Ohhhh you really hurt me
When I was high,
You called me an asshole?
Talk to me fai schifo (3)
Pezzo di merda (4)
Have you ever been trying to take a nap?
My heart beats too fast
Because I’m thinking of your fucking ugly face
You you suck
Fai schifo (3)
Pezzo di merda (4)
Fai proprio schifo (5)
Vafanculo (6), ah
Stronzo bastardo (7).

1 – Piece of shit / asshole
2 – Shit of shit / asshole of shit
3 – You are disgusting
4 – Piece of shit
5 – You just disgusted me / made me sick
6 – Go take it in the ass
7 – Bastard piece of shit / Bastard asshole

Merkaba

–

You Lied

Setting sun can’t shine, now you’re gone
Inside sleeping, my heart beating
You know that you tried to hide it
Couldn’t you have said what you meant? Oh…

Time heals, time congeals around us
Endless hours of wasted moments
Understanding, not demanding
Your eyes tell what you feel inside

Setting sun can’t shine, now you’re gone
Inside sleeping, my heart beating
You know that you tried to hide it
Shouldn’t you have said what you meant?

YOU LIED!

No Quarter

TOOL VERSION

Lock the door, kill the light.
No one’s coming home tonight.
The sun beats down and don’t you know?
All our lives are growing cold, oh…
They bring news that must get through.
To build a dream for me and you, oh.

Locked in a place where no one goes.

They ask no quarter
They have no quarter.

Lock the door, kill the light
No one’s coming home tonight

It’s getting colder (7x)
Locked in a place where no one goes.

Lock the door, kill the light
No one’s coming home tonight

They bring news that must get through.
Dying peace in me and you

Locked in a place where no one goes.

We have no quarter
We have no quarter
We ask no quarter

LED ZEPPELIN VERSION

Close the door, put out the light.
No, they won’t be home tonight.
The snow falls hard and don’t you know?
The winds of Thor are blowing cold.
They’re wearing steel that’s bright and true
They carry news that must get through, oooh

They choose the path where no-one goes.

They hold no quarter.
They hold no quarter.

Walking side by side with death
The devil mocks their every step
The snow drives back the foot that’s slow
The dogs of doom are howling more
They carry news that must get through
To build a dream for me and you

They choose the path where no-one goes.

They hold no quarter.
They ask no quarter.
They hold no quarter.
They ask no quarter.

The pain, the pain without quarter.
They ask no quarter.
Yeah! Without quarter, quarter, yeah!
They need no quarter.
The dogs of doom are howling more!
I hear the dogs of doom are howling more!

L.A.M.C.

(dialtone, touch-tone dialing, ring, ring)

Thank you for calling the Los Angeles Municipal Court.
This is an automated system that can handle most inquiries.
If after using this system, your question is not answered, please, stay on the line and a representative will be with you shortly.

If you are calling from a touch-tone phone, please press 1.
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If you are calling from a princess, phone, please press 6
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and If you are calling from a rotary phone, please, stay on the line

Make your selection at any time.

(touch-tone 1)

Make your selection at any time.

(three touch-tone 1’s)

For information in English, please press 1.
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For information in Ig-pay Atin-lay, lease-pay ress-pay ine-nay.

(touch-tone 1)

If you are responding to a notice from the City Attorney’s office, press 3.
To check the amount due on a parking ticket, press 4.
If you believe you are ticketed in error because your disabled person
placard or your preferential parking permit was clearly displayed, or
your vehicle is disabled, press 5.
For all other traffic related matters, press 6.

(long touch-tone 6)

Please make a selection at any time.

(three touch-tone 6’s)

For traffic school information, press 1.
For payment inormation, press 2.
For court locations, press 3.
For general ticket and warrant information, press 4.
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(four touch-tone 6’s)

If you need to make a traffic court appointment, please press 1,
unless you have not filled out a DD form 3018, in which case,
please press 2. To receive a blank DD form 3018, please come
down to the Los Angeles Municipal Court building during normal
business hours. If you have filled out DD form 3018, but have
not reported to the City Attorney’s office, please press 3.

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voted ‘no’ on Proposition 187 * and have collected a notarized waiver
from said relative, and have attached said waiver in triplicate to
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If you are receiving physical therapy from a naturalized citizen but
have not voted ‘yes’ or ‘no’ on Proposition 187 and have not reported
to the City Attorney, but have filled out form DD 3018, please
press 6.

Of course, if you have not had your eyes tested by your local
Department of Motor Vehicles in the last three years, in which case
press 7. If you have had your eyes tested AND voted ‘yes’ on
Proposition 187, and have your DD form 3018 filled out and
have already reported to the City Attorney but have never been called
in for jury duty, press 8.

(touch-tone entry)

Make your selection at any time.

(here begins the touch-tone frenzy)

Make your selection at any time.

The system is waiting for a touch tone entry.
The system is waiting for a touch tone entry.

There is a possibility that you have made an error in
selecting your message. Please try again.

The system is waiting for a touch tone entry.

There is a possibility that you have made an error in
selecting your message. Please try again.

I’m sorry, but we are unable to interpret your request.
Please call back during normal business hours.

(CLICK … sound of dialing)

Thank you for calling the Los Angeles Municipal Court.
This is an automated system that can handle most inquiries.
If after using this system, your question is not answered,
please, stay on the line
and a representative will be with you shortly.

(fades out on)
If you are calling from a touch-tone phone, please press 1.
If you are calling from a cellular phone, please press 2.

Maynard’s Dick

It’s all an open center
Opens up and lets the wind lift him away
It doesn’t have to feel water
( It’s just a place that feels right with him )
Kinda like the way you’re breathing
I kinda like the way you keep looking away
Would you like to glide on
Slide a mile six inches at a time on Maynard’s dick

There’s a shyness found in reason
Apprehensive influence swallow away
You seem to feel abysmal take it
? then you’re careful grace for sure ?
Kinda like the way you’re breathing
Kinda like the way you keep looking away
Would you like to climb on
Climb on my six inches and go down on Maynard’s dick

Took you out in the back of the toolshed
Put it right on top of your forehead
Took you out in the back of the toolshed
Now you know what you’re fuckin with… Maynard’s dick!